As a reviewer for PoplifeSTL, I have to date reviewed theater, usually but not exclusively of the musical and opera varieties. I have the freedom to review other arts, including music. In 2022, I begin reviewing select performances of the St. Louis Symphony.
Just today, PoplifeSTL published my first album review in quite some time. I am a music omnivore with iTunes playlists galore that range from classical to alt-country. I use music the way some folks use skin moisturizer — to soothe or enhance whatever mood I’m in.
Since my teenaged years, the two things I can’t pass up are albums (then CDs, then MP3s) and books. Based on recommendations from readings or from soundtracks in TV shows, films and commercials, I stumble across new music all the time.
I can’t claim to be a devoted jazz listener, though I’m told I know more and listen to more jazz than your average bear. The spectrum of my listening ranges from early Armstrong to Davis to David Sanborn (don’t judge). I happened upon the Hard Bop Messengers and their new, first album “Live At The Last Hotel” through the band’s leader, John Covelli. I knew he was creating the album during the past couple of years. When it was complete, he shared a copy with me. Whether I have a personal connection or not, I would have reviewed this album. It deserves to be heard — even more widely than it already has.
I was the photographer for a local folk/Americana band, and I know how hard it is to garner interest in a band. I attended a few performances with a only a dozen or so in the audience — and most of them were family and friends. This, after extensive “publicity” on social media and local arts calendars. It’s damn HARD to get people to show and/or purchase an album, no matter how good the band is.
This review is my humble way of helping to spread the word about a group of world-class musicians creating and performing work that deserves a wider audience. Read it here.